“That’s the way the whole durned human comedy keeps perpetuatin’ itself down through the generations, westward the wagons, across the sands a time…” – The Stranger, The Big Lebowski
After falling asleep during the first attempt to watch Cimarron, I was incredibly surprised to watch the whole film and discover a truly beautiful, epic tale of American ego, discovery, fortitude, and development. Starting with a quest into the empty dustpan of Oklahoma, this absolutely great movie delves into the lives of two pioneers — one restless and the other reluctant — who settle in Osage, Oklahoma just as it is beginning to boom into a real town. Without any of the goofy “ain’t Oklahoma great” theatrics of, well, you know the musical, Cimarron shows how rough it really was to be a part of the fledgling society. Rampant racism, cold-hearted bandits, failed businesses, greedy politicians and sycophants, harlotry, an unjust social system… the list goes on and on. The inner bravado of protagonist Yancey Cravat — a newspaper editor, marshall, attorney, and all around town badass — acts as the motor for the story, which lacks the epic vistas of later John Ford westerns, but more than makes up for it with its epic sweep across forty years.
I was truly surprised at how affecting the movie was. It had the beautiful pacing of more modern epic historical dramas; over the span of just two hours, we watch Yancey and his wife transform from rascally adventurers to souls crushed by the wheels of time. Years pass by in instants, but the audience is given clues to understand what exactly those years had in store for these people. It is also one of the best depictions of the transformation from Westward Ho! ambition in the late 1800s to the mechanized ennui of the early 1900s. It’s amazing what our country left behind when we annexed the whole west and decided that pioneers — once the go-get-em soul of our young country — were obsolete old fools, deserving to die in a ditch in an oil field.
Overall, very impressive acting by the leads, especially in the courtroom scene and the church inauguration scene. It’s amazing how many messages about American identity and ambition they were able to cram into just two hours. I started out as a skeptic, but now I know why this won Best Picture; many, many historical/western films like it have won the award since, but this appears to be the first of its class. I give it an 8.